From the dark hills of America to detective stories from the dawn of time, spring 2014 is looking good!


From the dark hills of America to detective stories from the dawn of time, the cutting edge publisher of science-fiction, horror and fantasy, Solaris, has bolstered its Spring 2014 schedule with intriguing acquisitions from two exceptional talents.

Blood Kin by Steve Rasnic Tem will be published in March 2014 and follows last year’s critically-acclaimed novel for Solaris, Deadfall Hotel.

Set in the southern Appalachians of the US, alternating between the 1930s and the present day, Blood Kin is a dark Southern Gothic vision of ghosts, witchcraft, secret powers, snake-handling, Kudzu, Melungeons, and the Great Depression. Michael Gibson returns home following a suicide attempt and now takes care of his sickly grandmother. In a field not far from the Gibson family home lies an iron-bound crate within a small shack buried four feet deep under kudzu vine. Michael somehow understands that hidden inside that crate is potentially his own death, his grandmother's death, and perhaps the deaths of everyone in the valley if he does not understand her story well enough.

Editor-in-chief of Solaris, Jonathan Oliver, said: “Steve’s Deadfall Hotel was one the highlights of 2012 for Solaris: a moving, powerful and haunting horror novel. Blood Kin, likewise, promises to be something extraordinary. Steve walks in the traditions of such great writers as Ray Bradbury, Theodore Sturgeon and Flannery O’Connor, while enriching the field with his own unique take on genre.”

Talus and the Frozen King by Graham Edwards will be published in April next year and tells the story of Talus – the world’s first detective.

A dead warrior king frozen in winter ice. Six grieving sons, each with his own reason to kill. Two weary travellers caught up in a web of suspicion and deceit. In a distant time long before our own, wandering bard Talus and his companion Bran journey to the island realm of Creyak, where the king has been murdered. From clues scattered among the island’s mysterious barrows and stone circles, they begin their search for his killer. Creyak is place of secrets and spirits, mystery and myth. It will take a clever man indeed to unravel the truth. The kind of man this ancient world has not seen before.

Jon said: “Graham’s novel is a murder mystery like no other. A richly evoked past draws you into this unusual thriller and the characters of Talus and Bran have to be one of the most entertaining crime-fighting duos ever. A startlingly innovative book and a corking good read!”


About the Authors
Steve Rasnic Tem was born and raised in Lee County, Virginia, in the heart of Appalachia. He is the author of over 350 published short stories and is a past winner of the Bram Stoker, International Horror Guild, British Fantasy, and World Fantasy Awards. Following the publication last year of his Solaris novel Deadfall Hotel, Steve has published two short story collections – Ugly Behavior (New Pulp Press) and Onion Songs (Chomu) – soon to be joined by Celestial Inventories (ChiZine) and Twember (Newcon).  In 2014 PS Publishing will bring out his standalone novella In the Lovecraft Museum.

Graham Edwards was born in England near Glastonbury Tor and now lives in Nottingham. His formative years were spent on the UK’s Jurassic Coast making disturbing movies on Super-8 film. Since then he’s worked as a graphic designer and animator. He’s also written and produced multimedia shows for theme parks and visitor centres.

Graham’s first novel Dragoncharm was inspired by Watership Down – if Richard Adams could write an epic adventure about rabbits, why not do the same for dragons? His later novels include Stone & Sky, in which he explored the dizzying heights of a world-sized wall, travelled in time and played with fairies.

There’s short fiction in the form of The String City Mysteries, a series of ebooks about a detective working in a town where the dimensions are really messed-up. Graham’s also ghostwritten several books in collaboration with book packagers Working Partners.

Inside, it's always the same day. Outside, there are no days left.





Life on the Preservation
By Jack Skillingstead

Discover what’s on the inside on
 28th May (US & Can) and 6th June (UK)

£7.99 (UK) ISBN 978-1-78108-116-7
$7.99/$9.99 (US & CAN) ISBN 978-1-78108-117-4

Available in paperback and ebook

Ted Kosmatka, author of The Games and Prophet of Bones called it “one of the best sci-fi novels I’ve ever read” and it's one of Kirkus Reviews' picks for May - Jack Skillingstead’s Life on the Preservation is coming to bookstores and online later this month!

Inside the Seattle Preservation Dome it’s always the Fifth of October, with the city caught in an endless time loop. “Reformed” graffiti artist Ian Palmer is the only one who knows the truth, and he is desperate to wake up the rest of the city before the alien Curator of the human museum erases his identity forever.

Small town teenager Kylie is one of the few survivors to escape the apocalypse outside. Now she must make her way across the blasted lands to destroy the Preservation. But once inside, she meets Ian, and together they discover that Preservation reality is even stranger than it already appears.

A writer of extraordinary ability; the promise of Skillingstead’s previous short fiction is here transformed into an exceptional novel about post-apocalyptic survival and alien occupation.

With a US cover by award-winning artist Vincent Chong and a design-led UK cover by Pye Parr, Life on the Preservation is a story of vibrant humanity overcoming extraordinary odds.


About the Author
Jack Skillingstead grew up in a working class neighbourhood south of Seattle. He dropped out of college to work in a cannery in Alaska, later travelling to Maine and then returning to the Pacific northwest. Skillingstead won a writing competition sponsored by Stephen King in 2000, and was a finalist for the Sturgeon Award in 2004. He has published more than thirty short stories in publications including Asimov’s, F&SF and Realms of Fantasy. His work has also appeared in various Year’s Best volumes and Solaris Rising.


Breaking the fourth wall: THE FICTIONAL MAN author @Al_Ewing is on a blog tour...


We're very proud of THE FICTIONAL MAN.

Not only is it Al Ewing's first work for Solaris, it's also his first stand-alone novel.

What is real? Well, when you're a fiction publisher then I guess nothing really is - it's all invention. But what happens when the fictional bleeds over into the real, and vice versa? The intriguing idea of stories influencing reality has been explored before, but Al has done something extraordinary with the concept.

And the reviewers have been mightily impressed: SFX magazine not only gave it a cracking FIVE STAR review, calling it an "exhilarating page-turned" and "brilliant", but they also popped an 'SFX Recommends' sticker on it!



Starburst magazine was brimming with praise in its 10 out of 10 star review! And, continuing a theme from many reviewers, This is Horror says "Philip K Dick would have mightily approved" - high praise!

Meanwhile, Fantastical Librarian was "blown away": "not in the least because the more I think about it, the more layers I discover and the more impressive it becomes. There is so much to unpack in this story, it’s amazing. This is definitely a contender to make my best of year list at the end of the year, in quite a high place as well, and I wouldn’t be surprised to find it on awards ballots next year. And you shouldn’t be surprised that I highly recommend it."

As if that weren't enough, Al's been typing furiously away on his blog tour, with some intriguing results. Over at the BSFA, he talks about the influence on his thinking behind THE FICTIONAL MAN of humour magazines such as the Reader's Voice breaking the fourth wall:

"Occasionally, the characters would talk directly to the readers. They’d smile out of the first panel of the strip, setting the scene directly. “I’m off to the county fair, readers!” Next panel – the county fair costs five pence to get into. Jack Pott – or Gilbert Ratchet, in the note-perfect parodies of a vanished artform that still run to this day in Viz – does not have that kind of money."


He continues the theme over at Beauty in Ruins, where his love of comics - where up till now he's mostly worked - has influenced his novel writing:

"Part of the gag – arguably, the gag on which all the other gags rested - was that Ambush Bug knew he was in a comic. In the same way the characters from the kids comics of my youth all had a basic understanding of their fictional status and had regular conversations with their readers, Ambush Bug would have regular set-tos with his writer and artist. By the time I got on board with all this as a kid – the second mini, Son Of Ambush Bug – the Bug was entering his imperial phase, and by that point seemingly every joke was in some way about breaking the fourth wall."

He's also (kinda) talking about the book over on the Freaky Trigger podcast and he talks to Fantastical Imaginations about the genesis of this extraordinary novel.

The Fictional Man is out now in paperback and ebook from the usual channels. You can also read the first chapter FOR FREE over at fictionalman.com


Is this the real life? Is this just fantasy? Launching THE FICTIONAL MAN!

Forbidden Planet became unreal last night as we officially launched Al Ewing's first book for Solaris, THE FICTIONAL MAN.

An unsettling tale about a Los Angeles where it's becoming increasingly difficult to tell who is real and who isn't, THE FICTIONAL MAN has already received a five star review from SFX, which called "a fascinating tour de force" and said "it's hard to see how Ewing could possibly better this exhilarating page-turned".

We gathered at Forbidden Planet in London for the man who we assume is the REAL Al Ewing to sign and talk to fans, before heading off to the salubrious night spots of London town for glasses of non-alcoholic beverages and sober conversation. Please note that at least part of the last sentence is a lie.

THE FICTIONAL MAN is published on 9th May in the UK and Ireland.


The unsettling grin of a madman...


Behold! Some lovely covers!

Hello

Don't see me around here much do you? That's because that lovely Michael Molcher usually handles this side of things, but presently he swanning around with his comic friends in Chicago. It is actually work to be fair, but that doesn't stop me from being a tiny bit jealous. Anyway, while Michael is away, I thought I'd share some lovely upcoming books with you to whet your appetite for what you can expect from us later in the year:

Dream London - Tony Ballantyne






Cover by Joey Hi-Fi

Captain Jim Wedderburn has looks, style and courage by the bucketful. He's adored by women, respceted by men and feared by his enemies. He's the man to find out who has twisted London into this strange new world, and he knows it.

But in Dream London the city changes a little every night and the people change a little every day. The towers are growing taller, the parks have hidden themselves away and the streets form themselves into strange new patterns. There are people sailing in from new lands down the river, new criminals emerging in the East End and a path spiraling down to another world.

Everyone is changing, no one is who they seem to be.

October 2013

King Rolen's Kin - King Breaker by Rowena Cory Daniells




Cover by Clint Langley


The  conclusion to the hugely popular King Rolen's Kin series!

The story of Bryon, Fyn and Piro picks up immediately where the cliff-hanging ending of The Usurper left off.

When Cobalt stole the Rolencian throne, Bryen, Fyn and Piro were lucky to escape with their lives; now they've rallied, and will set out to avenge their parents' murder.

Bryen is driven to defeat Cobalt and reclaim the crown, but at what cost? Fyn has sworn to serve Byren's interests but his loyalty is tested when he realises he loves Byren's betrothed. And Piro never wanted to win a throne, but now she holds the fate of a people in her hands.

October 2013

The Waking That Kills by Stephen Gregory


Cover by Nicolas Delort

The ghosts that haunt us are not always strangers

When his elderly father suffers a stroke, Christopher Beale returns to England. He has no home, no other family. Adrift, he answers an advert for a live-in tutor for a teenage boy. The boy is Lawrence Lundy, who possesses the spirit of his father, a military pilot - missing, presumed dead. Unable to accept that his father his gone, Lawrence keeps his presence alive, in the big old house, in the overgrown garden.

His mother, Juliet, a few, scatty widow living on her nerves, keeps the boy at home, away from her other children, away from the world. And in the suffocating heat of a long summer, she too is infected by the madness of her son. Christopher Beale becomes entangled in a strange household... enmeshed in the oddness of the boy and his fragile mother. Only by forcing the boy to release the spirit of his father can there be any escape from the haunting.

A dark novel of possession.

November 2013

The End of The Road - edited by Jonathan Oliver


Cover by Nicolas Delort

An incredible anthology of original short stories by an exciting list of writers from all around the world, including the best-selling author Philip Reeve and the World Fantasy Award-winning Lavie Tidhar.

Each step will lead you closer to your destination, but who, or what, can you expect to meet at journey's end? Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. The critically acclaimed editor of Magic, The End of The Line and House of Fear has brought together the contemporary masters and mistresses of the weird from around the globe in an anthology of travel tales like no other. Strap on your seatbelt, shoulder your backpack, or wait for the next ride... into darkness.

December 2013

Rowena Cory Daniells' Outcast Chronicles short-listed for the 2013 Norma K. Hemming Award!



I'm delighted to announce that Rowena Cory Daniells' stunning fantasy trilogy, The Outcast Chronicles, has been short-listed for the Nora K. Hemming Award. The Award marks excellence in the exploration of themes race, gender, sexuality, class and disability.

Anyone who has read Rowena's works will know that one of her great strengths is characterisation. I'm so pleased that this brilliant series has been recognised in this way, and we at Solaris will all be routing for Rowena when the award is announced on the 27th April at the 52nd Australian Nation Science Fiction Convention in Canberra.

In the meantime, why not check out Rowena's work? Find out why her novels stand out as some of the most exciting new fantasy fiction available.

A window into our worlds: check out the Abaddon & Solaris YouTube channel!

With author interviews, book launches, and readings the new Abaddon & Solaris YouTube channel is perfect for a little lunchtime viewing if you're looking for new reading challenges and fancy plunging into our plethora of worlds.

The team behind the two imprints is beavering away to bring you audiovisual entertainment to go alongside your reading pleasure and we'll be adding more fresh content about our forthcoming titles, as well as trailers, so keep your eyes glued to our Twitter and Facebook feeds for alerts about the latest videos.

In the meantime, welcome to our worlds...

The launch of Gideon's Angel...


Scott K. Andrews talks about School's Out Forever...


Gaie Sebold discusses Babylon Steel...


The launch of Solaris Rising 2...


Publication day giveaway: share this blog post to WIN a signed copy of Solaris Rising 2!

We have a great prize to giveaway to celebrate the publication of Solaris Rising 2 in the UK and Ireland today!

After the success of the launch event last week (see video below!) we've got a copy of this mighty tome signed by the attending authors - Paul Cornell, James Lovegrove,  Adrian Tchaikovsky, Mercurio D. Rivera, Martin Sketchley, and editor Ian Whates!

All you have to do to win is share this very post far and wide! 

You can share it on your Facebook page, your blog, your website, or even just reTweet on Twitter - just make sure you let us know if you do and we'll pick one very lucky reader to receive this meaty prize!

You have until Thursday 18th April - quickly, go go go!!

In other news, Ian has also been interviewed by SFX about space opera and the long-lasting allure of the short story and in case you missed it, here's the video of the launch held at Waterstones Gower Street in London just last week!


How does it feel, not being real: Al Ewing to launch THE FICTIONAL MAN on May 2nd!


AL EWING SIGNING
‘THE FICTIONAL MAN’

FORBIDDEN PLANET LONDON THURSDAY 2nd MAY 6 – 7pm


Al Ewing will be signing his new novel THE FICTIONAL MAN at the Forbidden Planet London Megastore on Thursday 2nd May from 6 – 7pm.

“A disturbing, self-reflective type of brilliance … cross Joe Lansdale with Grant Morrison, and you start to get close to Ewing” – Pornokitsch on Death Got No Mercy

In Hollywood, where last year’s stars are this year’s busboys, Fictionals are everywhere. Niles Golan’s therapist is a Fictional. So is his best friend. Fictionals – characters ‘translated’ into living beings for movies and TV using cloning technology – are a part of daily life in LA now. Sometimes the problem is knowing who’s real and who’s not.

Divorced, alcoholic and hanging on by a thread, Niles – author of The Saladin Imperative: A Kurt Power Novel and many others – has been hired to write a big-budget reboot of a classic movie. If he does this right, the studio might bring one of Niles’ own characters to life. But somewhere beneath the movie – beneath the TV show it was inspired by, the children’s book behind that and the story behind that – is the kernel of something important. If he can just hold it together long enough to figure it out... 

Al Ewing is a major new writer whose work in comics has seen him hailed as the most exciting new voice in the field. His work for Abaddon Books has been equally lauded and his unique visions of pulp fantasy have found their home in five different novels for Abaddon Books. This is his first novel for Solaris and is one of the list’s most keenly awaited titles.

The Big Reveal: UK & US covers for Jack Skillingstead's LIFE ON THE PRESERVATION

Coming in June and available in the UK, in North America, and in ebook for a whole variety of devices, Jack Skillingstead's LIFE ON THE PRESERVATION has a fantastic Logan's Run/Hunger Games vibe to it and these covers (UK at top, US below) are GAWJUS!

THE BLURB: 
Inside the Seattle Preservation Dome it’s always the Fifth of October, the city caught in an endless time loop. ‘Reformed’ graffiti artist Ian Palmer is the only one who knows the truth, and he is desperate to wake up the rest of the city before the alien Curator of the human museum erases Ian’s identity forever. Outside the Dome, the world lies in apocalyptic ruin.


Small town teenager Kylie is the only survivor to escape both the initial shock wave and the effects of the poison rains that follow. Now she must make her way across the blasted lands pursued by a mad priest and menaced by skin-and-bone things that might once have been human.

Her destination is the Preservation, and her mission is to destroy it. But once inside, she meets Ian, and together they discover that Preservation reality is even stranger than it already appears.






Have a watch of the video from the launch of Solaris Rising 2!

Last week, Ian Whates joined Paul Cornell, James Lovegrove, Martin Sketchley, David Mercurio Rivera, and Adrian Tchaikovsky at Waterstones Gower Street in London for the launch of the latest SF anthology from Solaris - Solaris Rising 2!

Check out the video of the event, including an interview with Ian, who edited the latest in this fantastic anthology series.



Available to buy from this Thursday on Amazon.com,Amazon.co.uk and indiebound, this cosmic collection is jam-packed with SF short stories that explore man's efforts to leave this humble dot of blue in a sea of black!


Hugo Awards nominations? Not one, but three!


Turns out that award nominations are like buses .... so long as you ignore the bit about 'waiting for ages for one' because, well, we haven't ... we definitely haven't...

Waitwaitwait, no - it's like "The best things come in threes". I may have got that wrong. Anyway...

With all the excitement about the Solaris Rising 2 launch last week, we thought we'd wait a few days before celebrating the fact that the nominations for the prestigious Hugo Awards have been announced and there are THREE mentions for us and our sister imprint Abaddon Books!

First up is one of our very popular anthologies from last year:

Best Editor, Short Form 
Jonathan Strahan

Jonathan edited Edge of Infinity, which according to SF Signal "effectively lays down a marker for Fourth Generation Science Fiction". Jonathan's a fantastic editor and we think this is bourne out by the fact that our second nomination is:

Best Novelette category

“The Girl-Thing Who Went Out for Sushi”, Pat Cadigan (from Edge of Infinity)

Pat's story was the opener for the anthology and set the bar massively high for the other authors. We have a new book by Jonathan coming out in June, Fearsome Journeys, in which he will be turning his excellent editorial eyes to the fantasy genre - we're looking forward to that one!

Last and, certainly by no means, least is:

John W. Campbell Award for Best New Writer
Chuck Wendig

Chuck is a phenomenal writer and our sister imprint, Abaddon Books, published his debut novel Double Dead in 2011, as well as its ebook follow-up Bad Blood.

They're  also publishing his exciting next novel, Gods and Monsters: Unclean Spirits, in May.

Good luck to everyone on the nominations list! The 2013 Hugo Award and John W. Campbell Award winners will be announced Sunday, September 1, 2013, during the Hugo Awards Ceremony at LoneStarCon 3 in San Antonio, Texas.


EXCLUSIVE EXTRACT: read the first part of THE GOOD, THE BAD AND THE INFERNAL by Guy Adams!





A weird western, a gun-toting, cigarrillo-chewing fantasy built from hangman’s rope and spent bullets.

The west has never been wilder. A Steampunk-Western-Fantasy from Guy Adams.

“You wish to meet your God?” the gunslinger asked, cocking his revolver, “well now... that’s easy to arrange.”

Every one hundred years a town appears. From a small village in the peaks of Tibet to a gathering of mud huts in the jungles of South American, it can take many forms. It exists for twenty-four hours then vanishes once more, but for that single day it contains the greatest miracle a man could imagine: a doorway to Heaven.

It is due to appear on the 21st September 1889 as a ghost town in the American Midwest. When it does there are many who hope to be there: traveling preacher Obeisance Hicks and his simple messiah, a brain-damaged Civil War veteran; Henry and Harmonium Jones and their freak show pack of outlaws; the Brothers of Ruth and their sponsor Lord Forset (inventor of the Forset Thunderpack and other incendiary modes of personal transport); finally, an aging gunslinger who lost his wings at the very beginning of creation and wants nothing more than to settle old scores.

A weird western, a gun-toting, cigarrillo-chewing fantasy built from hangman’s rope and spent bullets. The West has never been wilder.


The Good, The Bad and The Infernal is now out in the US and Canada and will be available in the UK from 11th April!

And here, for your delectation and delight, is the first part of this weighty tome....


1. Thirty days ago...

“The Atlantic is a cruel and venomous woman, Father, just as likely to snatch you to her bosom, body and soul, as deliver you to your destination.”
“No mere ocean is capable of taking the immortal soul, Mr Quartershaft.”
“Father, this is why it’s good that you have me by your side; you may be all-knowing in the matters of spirit, but you are like a child beyond your monastery, naïve of the natural world’s cruelties.”
Quartershaft, confident that the monk’s gaze was elsewhere, took a swig of brandy from his hip flask.
“Why, the last time I sailed these waters, I lost two dozen men from my expedition, grabbed by the waves that writhe beneath us like a tuppenny whore earning her change.”
The monk scowled at that and Quartershaft reminded himself that his lewder metaphors were best saved for the country set. “I had to bring the vessel to dock myself, lashed to the wheel by rags from the dead men’s clothing.”
“How fortunate that, though their bodies were lost to the ocean, their shirts were not.”
Quartershaft stared at the young novice who had joined them with a look that he hoped, brandy or not, created the striking profile that appealed to magazine editors the publishing world over. The look that said: intrepid, brooding and authoritative. A man to be reckoned with (or, at the very least, read about). It was a look that he practiced often in the mirror, trying to emulate the sketches that had graced the cover of many a worthy periodical. It was a lot harder to achieve without pen and ink.
“Fortunate indeed, Brother William. Now, if you will excuse me, I must prepare for our landing, peruse the maps, maybe take an hour’s rest. I shall be in my cabin, Father, should you or any of your order find yourselves in deathly peril.”
Quartershaft sauntered below deck, leaving the two monks looking over the prow.
“You really must mind yourself with Mr Quartershaft, Brother William. He seems a sensitive man.”
“He is, begging your pardon Father, an idiot and a liar. A sham, cultivated to sell lurid publications, and nothing more. I cannot begin to understand why you insist on his joining us in our quest.”
Father Martin sighed.
“Money, Brother William; money. Without the financial support of his publisher, we would have been penniless halfway to Plymouth, let alone the Americas.”
“Ah.”
“Indeed, and while he may be prone to embroidering the accounts of his previous expeditions, you have no reason to doubt his abilities.”
“He got lost belowdecks twice, yesterday. I found him relieving himself in one of the galley cupboards. Claimed it was an ancient mariner’s trick to waterproof the timbers. Then there is the persistent sound of vomiting from within his cabin, as well as sundry other noises... I dread to think what he does in there away from prying eyes.”
“Nonetheless, William, he may have some use in the journey ahead. And do not forget, without the documents he retrieved during his recent journey to India, we would know a lot less about our sacred destination.”
“If it even exists.”
Father Martin looked disapprovingly at the novice.
“Oh, Wormwood exists, my boy, never doubt it for a moment.”
He gazed back out to sea, where the slim shadow of land grew closer.
“Although there may be times during our journey when we all wish it didn’t.”


2. Twenty days ago...

They moved as tight as pack animals, hugging the ground as they ran. Four in all, wrapped in dull cloth to cheat lazy eyes. Shadow clothes.
Los Redo Prison sat within a bowl of open land, surrounded by mountains. They ran towards it, virtually invisible against the ill-lit landscape.


Manco snorted and spat a wad of phlegm onto the ground. The dust filled his head. He’d worked here six months and his lungs hurt. He wished he could work somewhere where the air was clear.
Shifting position, he wedged the butt of his rifle against his gut and ferreted in his shirt pocket for tobacco. He slowly rolled a smoke in one hand, tamping down the tobacco and folding the paper around it with deft movements of his fingers. He gummed the paper down with a streak of spit and shoved the cigarette in the corner of his mouth, then flicked a match alight against the crumbling wall at his back, cupped the flame in his palm and lit up. He took a deep lungful and flicked the spent match to the ground, staring into the mountains.
The blade came from the left, sliding across his throat; the flesh parted, releasing blood and smoke. Manco slid, twitching, to the floor.


They came together silently and vaulted one of their number onto the prison wall. Small and stunted, barely more than three foot from toe to topknot, the figure scampered along the edge of the wall before tumbling to the other side.
The wall backed onto a small courtyard in front of the prison buildings, with their corridors and poky cells. There were three guards, shuffling around the gate. The night was silent but for the distant persistence of cicadas.
Three shots rang out and the guards went down.
The midget dropped to the courtyard and, kicking at the bodies as he passed, pulled back the bolts of the gate and let his companions enter.


Henry Jones rolled off his bunk and got to his feet. He pulled his belt tight and adjusted the fit of his trousers around the crotch, then ran his finger around the waistband, making sure his cotton shirt was fully tucked. Slipping his maroon silk waistcoat over his shoulders, he cleared his throat gently, testing his vocal chords. Buttoned up, silver watch chain evenly slung, he reached for his black jacket and pulled it on, rolling his shoulders to get them snug and flicking his cuffs forward. He just had time to run a careful hand over his oiled hair, checking for runaways, before the door exploded.
When the dust settled, Jones twitched his head at the sound of the small feet scuffling into his cell.
“Evenin’ Knee High,”
“Evenin’ Mr Jones, sir,” the midget shouted over the considerable noise of gunfire.
Jones strolled out of the cell and towards the courtyard.
The gunfire had ceased now, the dirt damp with the guts of prison guards.
“Henry!” One of the figures moved forward, pulling the grey cowl from its head to reveal beautiful red hair. A tanned face, inset with sparkling emerald eyes and rich full lips, surrounded by the bushiest and most luxuriant of beards.
“Evenin’ darlin’,” said Jones, giving her a tongue-filled kiss and a firm grab between the thighs, romantic as he was wont to be.
“We’ve got you, baby,” she murmured, stroking the smooth, eyeless skin that made up the top half of his face, and pulling him closer to her. “We can find it together.”
He twitched his head momentarily, grabbed the gun she had slung in her left thigh holster and snapped off a shot to his rear. A wounded guard, who had nursed thoughts of being a hero, recoiled against the bullet and died.
“Sorry, darlin’,” said Jones, “you were sayin’?”
“Wormwood, honey,” she said, “let’s find Wormwood.”


3. Ten days ago...

“Can I hear a hosanna?” Obeisance Hicks, emissary of the Lord and man of means, most surely could.
He cast a look at his fragile messiah, just to check the man’s eyes were open and bowels in order. People could stand all manner of vagaries in their Gods, he had discovered, but a lack of toilet training was frowned upon, ecclesiastically. People wanted their Christ to smell sweet.
“I had a vision this morning,” he went on to explain. “A message from God.” Here he put his hand on the war veteran’s shoulder, stroking the white robes he dressed the man in.
“He was telling me that the people of this town are almost lost to His sight.”
There was a predictable yell of rebellion.
“That is what He said,” insisted Hicks, pointing out at the faces of those gathered around the caravan. “I am merely His messenger. He told me that the devil himself had laid claim to this place, thanks to the help of his ministers and dark priests.”
Again, a roar of disapproval.
“My friends,” said Hicks, a man who knew how far to push matters, “you have no need to fear. I do not abandon you. And through me, God does not abandon you either. Behold!”
And with a gentle kick the tame messiah was awoken, calling out and raising his arms to the sky according to his training. Hicks never failed to take pleasure in the response of the crowd, the gasps of holy pleasure as the stigmata begin to flow.
“See how your sins are washed away in Holy Blood, see how I have the best interests of your souls at heart.”
He took a sip of whisky from his tin cup (it paid not to advertise one’s choice of beverage while spreading the word of the Lord; the only spirits crowds like this wanted to see were Holy in nature). He liked to leave a long moment after the blood, just to make sure it had really sunk in.
“We are here amongst you,” he continued, “to save your eternal souls. We want to protect you, oh, yes... we want to see you wrapped up in the warm and loving arms of the Lord. We do! We do!”
He reached into his waistcoat pocket and removed a small glass bottle. He held it up, letting the glass glint in the light so as to add an extra hint of the heavenly. Then he placed the neck of the glass against the false messiah’s wrist and let some of the blood drip inside. Just a little, a couple of drops; nothing robbed something of its mystery more than quantity. He corked the bottle and held it up to the light once more.
“Which is why I want to share this gift, this holiest of relics, this charm against the devil, this potent tonic for Jesus!”
He threw the bottle into the crowd, where it was caught by a young black girl. She held it close to her cheek and sang out in excitement. “Lord, how it sings!” she said. “You can feel God Himself just beyond the glass.”
“Put it away, honey,” said Hicks, “it’s a precious gift.” And she did so, amid the jealous clamour of the crowd.
“Friends!” Hicks shouted, “don’t worry! I have a handful more I’m willing to donate to the holiest, most...”—he allowed a small pause here—“generous-spirited amongst you.”
“I want to show my gratitude,” shouted the girl, holding up a couple of coins. They glinted in the sun just the same as the bottle had done. Holy of holies, Hicks thought...
“I do not sell gifts from the Lord,” he insisted. “If you wish to offer money to my ministry, then I thank you, and I swear to you that it will be used only in the furtherance of the holy message.”
He took the coins from her and dropped them into a small basket at the front of his makeshift stage.
“There,” he said. “In case anybody else might be so Christian in their wishes.”
He brought forward a wooden chest and began to unload pre-filled glass bottles from it, stepping back slightly as the line began to form. Praise be, he thought; God helps those who help themselves.


“Can we please get moving?”
Hicks looked up at the black face of his first ‘customer’ and smiled. “Just as soon as I’ve had a short nap,” he announced, taking another sip of his whisky (from the bottle this time, he had given up on the tin mug now he was out of the public eye).
“It’s alright for you,” she said, despairing of the man who had never quite got the difference between ‘owner’ and ‘employer.’ “You might escape a lynching, if they catch you out as a con artist. They’d hang me up just to pass the time.”
By now Hicks was snoring and there was very little that Hope Lane could do to rouse him.
She gathered up her skirts and shuffled across the caravan to where her beloved Soldier Joe lay. Hicks stored him as you would an animal, boxed away in a straw-lined cage.
Hope unlocked the door and shuffled in next to the man, pulling him up so that his head rested on her lap.
“Never you mind, Soldier Joe,” she said, “we’ll soon be moving on, and then you’ll be able to get a little sun on your face.”
He grunted, dead to the world, and rolled his face against her thigh. Hicks kept him sedated most of the time, fed him on powders meant for cattle, as far as she could tell. Better that than let him cry out, as he was wont to do. Soldier Joe had seen some bad things in his time, she was sure of that. If only the bullet that had taken out a good-sized piece of his brain and most of his sense could have taken the fear away too. When the powders wore off, he screamed like a beaten baby, and nobody did that unless they had something terrible rattling on them.
Soldier Joe tensed up and mumbled to himself. Wumweh he seemed to say, over and over again.
“I’m sorry, honey,” said Hope, stroking his hair, “I can’t understand you.”
“Wormwood,” said Soldier Joe, opening his eyes and speaking as clear as you like. “We need to go to Wormwood.”
Then he closed his eyes and fell back to sleep.


4. Now...

The Union Pacific got you as far as Omaha, but no further. In a few years the Central Pacific line, cutting its way east from Sacramento, would come to meet the western line, and travelling the length of the country would be possible from the relative comfort of a rail carriage. Until then, the long-distance traveller had little option but to decamp from the luxury of iron tracks and make way under his own steam.
“Come along, my dear,” said Lord Forset, raising a wrinkled hand towards the sun as much to keep the dust from his eyes as the light. “They must be around here somewhere.”
“How can one lose a pack of monks?” his daughter wondered, clambering down from the carriage. “They hardly dress to blend in.”
“Quite,” agreed Forset. He pulled a pair of goggles from his pocket and put them on, making him look even more bizarre than he had already.
Elisabeth looked at him fondly. His crumpled suit and mismatched waistcoat. His hair, which appeared to have achieved autonomy from his scalp, writhing in the hot wind and snatching at the occasional piece of litter that flew by. He was quite at odds with his surroundings, but as this could be said of absolutely anywhere in the world, he achieved a universal quality. The only country in which he felt utterly at home was that strange and complex region found between his left ear and its corresponding fellow on the right. Lord Forset was a full-time resident of his own mind; elsewhere, he was only a visitor.
“Lord Forset?” came a call from further up the platform. “Lord Forset?”
It was a young porter. The loser, had they but known, of a bet between himself and his superior as to who would have to deal with the English pair.
“Yes, my lad,” replied the peer, offering a big-toothed grin that made the kid think of sand-blown marker posts.
“Where do you want your equipment, sir... I mean, my lord...”
“Never mind the manner of address, young man. After all, I can hardly be described as any lord of yours, now, can I? We’re many miles away from my country seat.”
“Thank God,” said his daughter.
“Thank God, indeed,” her father agreed, “considering who’s paying. Speaking of which...” He offered a little bow towards Father Martin, who was walking towards them, the rest of his order hanging back.
“Excuse me!” shouted the immediately recognisable voice of Roderick Quartershaft, pushing his way through his religious-minded travelling companions. “Can a man not set one foot out without tripping over a cassock?”
“This young lad wants to know where to put my equipment,” said Lord Forset, turning back to the porter. “Our transport is scheduled to meet us outside. Load everything up and ferry it to the street, there’s a good chap.”
“The driver should be here to meet us,” said Father Martin. “Perhaps he’s running late?”
“Taken your money and absconded for the hills, more like,” announced Roderick Quartershaft, on the back of breath so alcoholic it would have made a Baptist weep.
“I don’t think there’s any need to assume that yet,” said Father Martin. “Has anyone enquired after our arrival?” He turned to ask the porter, but the young lad had already run back to his superior.
“Can’t wait to be shot of us,” said Quartershaft. “No sense of service in the colonies.”
“Not colonies any more, old chap,” Forset reminded him.
“Not for a long time,” sighed his daughter. “Your knowledge of political geography is astoundingly limited, given your reputation as an explorer,” she added. “It sometimes seems startling that you’ve been anywhere. They say travel broadens the mind, after all.”
“It’s a weak man that lets the opinions and beliefs of others affect his own. I can proudly say there’s not a single continent I’ve set my boots on that has altered my perspective on life.”
“Yes,” Elisabeth replied. “You can say that proudly, can’t you?”
Quartershaft smiled dreamily and Elisabeth wondered if he might actually fall over. “I’m glad I impress, my lady.”
“I say,” Forset shouted, watching as one of his crates swung precariously from a luggage pulley, “careful with that! It contains equipment of a most fragile and temperamental nature.”
The young porter waved his acknowledgement just as one of the ropes came loose and the crate plummeted to the ground.


Henry Jones moved unerringly through the crowds of people on the platform. The dark glasses and cane he carried served to discourage undue attention; he certainly had no need of them. Along with the dark suit and wide-brimmed hat, they helped offer a degree of anonymity. By now, a lot of lawmen would be on the lookout for him. It was better for the life expectancy of those lawmen, and casual passers-by, that they not find him. Even had he not been wishing to keep a low profile, he frequently wore a disguise. Henry Jones had the sort of countenance that drew attention. Unfortunately, uppermost in the list of things he hated—a prodigious and changeable list—was people staring at him. Nobody, not even the beautiful Mrs Harmonium Jones, had the slightest idea how he could tell. His mood was so perpetually sore on the subject that nobody saw fit to ask.
Mrs Jones was also attempting to disguise her appearance, something only really achieved by using a derby hat and a particularly relentless girdle. Her facial hair was a source of great pride, and it would take more than a fear of law officers to get her near a razor, foam and strop.
They also had a crate to negotiate, the contents of which were a little harder to disguise in public and were therefore forced to travel freight.
“There something alive in there, sir?” asked the conductor as he admired the beautifully painted crate on the platform. DR BLISS’S KARNIVAL OF DELIGHTS, it said in curling, scarlet letters, the words sharing space with pictures of roaring lions, chuckling clowns and the snarling face of a top-hatted ringmaster. “Only some of the boys swear they heard something move when they were getting it off the train.”
“It’s just equipment, pal,” said Harmonium in a passable, throaty tone. “Otherwise we’d have filled out the requisite paperwork.”
“Good,” the conductor smiled, “good. Only... we’re supposed to check on all livestock; just for safety, you understand. I mean, I have my passengers to think of.”
“Sure you do,” Harmonium replied, tucking a dollar into his jacket pocket, “and you’ve looked after these two just fine.”
“Oh, well, thank you, sir. Most kind.”
“We particularly appreciated how you left us to our own devices,” added Henry, tilting his thick black lenses towards the man.
The penny dropped. “Oh, naturally. Well, be seeing you, then.” And away went the conductor.
“Rest easy, boys,” whispered Harmonium into one of the discreetly drilled air holes. “We’ll soon have you out of there.”
But before she could receive a reply, everyone on the platform turned towards the air-rending crash of a large packing crate falling to earth and splitting open.
“What the hell was that?” asked Henry. “Someone hurt?”
“I sure hope so, honey,” his wife replied. “What say we go and find out?


“Can I hear a hosanna?” Obeisance Hicks was, as always, inclined to wonder.
On this particular afternoon, his timing was not ideal; the answer was a resounding ‘no.’ The only thing most people within preaching distance could hear was the sound of an almighty crash, followed by considerable panic.
“What in the name of Christ is that?” wondered the not-so-reverent Hicks. He decided that, since his congregation was inclined to abandon the word of God in the hope of finding out, so was he.
“Keep an eye on the messiah,” he muttered to Hope Lane, before wandering into the train station.
She sighed, horribly conscious that he had now drawn attention to her, and nodded.
Inside, Hicks wasn’t the only one wanting to catch a glimpse of catastrophe. He noted, not for the first time, that if there was a way for him to market gawping at the dead and dying, he could pack in the God game for ever. People flocked to blood as surely as flies.
Today they were to be disappointed. As far as Hicks could tell, the crashing sound had been a collection of ironmongery dropped from a height. If it had fallen on anyone, then they were so deeply buried that the gathered crowd had little interest in attempting to save them. There was a good deal of standing around and shaking of heads. That’s the other thing with a crowd, Hicks decided; they all have an opinion and it’s usually the same one. People were dumb as sheep.
“I dread to think what you’ve broken!” cried out one man, with an accent so strongly British that a number of the gathered crowd automatically reached for their guns. There was not a great deal of good feeling towards that particular country; Hicks, being of Dutch stock, couldn’t honestly say he gave a brace of shits on the subject.
“Some of that equipment was irreplaceable,” the man was saying. “Simply irreplaceable!”
As if in agreement, a loud hissing noise erupted from the centre of the piled metal, and the crowd darted back as far as the limited space would allow. Metal clanged and rang out like a church bell under gunfire as a large, crab-like device appeared from underneath the fragments. It sat at the centre of the heap for a few moments, as if content in its nest, and then jumped for the sky.
“Somebody stop it!” the Englishman shouted, and with no further ado, the young woman standing by him began scaling the stationary train.
Hicks decided he may well have fallen in love as he watched her run across the roof of the train in pursuit of the metal creature as it hovered along, like a vulture scanning the ground for carrion.
“Do be careful, darling,” the Englishman suggested—stupidly, in Hick’s opinion, and in that of many there gathered—before turning away in shock as the young woman made a leap for the escaped device. She grabbed it in its midsection and proceeded to fly over the crowd, in a manner that pleased the gathered gentlemen greatly. Showing a consistent lack of regard for feminine decorum, she swung her legs up and grasped the device between them so as to hang from it more securely.
She initially appeared to be fighting it, but after a few moments, Hicks changed his mind, having been reminded of a business acquaintance who he had often watched buttoning up her corsets post-congress.
“Well, I’ll be...” he muttered. “If she ain’t planning on wearing the thing.”
With a final, triumphant click and a whoop from the crowd, the young woman did just that. She righted herself so that she was now stood upright, albeit several feet above the ground, then grasped a pair of handles, pushed forward and swooped gracefully back to earth.
There was a round of applause and, having disengaged whatever engine the thing possessed, she unclasped the legs and took a small bow.
“The Forset Thunderpack,” announced the Englishman with considerable pride. “In full working order!”
The device in question gave an almighty bang and fell silent.
“And thank God I got it back before it had been operational for more than sixty seconds,” said the young girl.
“Why might that be?” asked an impressed observer.
“It has a bad habit of blowing up if ignited for longer than that,” she replied, “and would have likely taken most of this train station up with it.”
The crowd dispersed quickly after that, but Hicks lingered. He’d seen something that had excited that essential heart of him, the black pulsing mass of his pocketbook. He had seen money.
Eventually he turned around and headed back out to his caravan, disinclined to continue in his never-ending mission to save souls and accrue dollars. He might even stay off the whisky a little, give his brain time to think.
Looking up, he wondered why there was a crowd gathered around his caravan. Then he heard the sound of the dopey-minded motherfucker he offered up for the nation’s prayers. The old soldier was shouting his goddamned face off about something. He couldn’t leave the wet-brain alone for a minute.
“Mind out, now,” he shouted, pulling at the shoulders of the idiots that had clustered around. “Nothing to see here. Man of God... coming through...”
They refused to move, fascinated by the sight of the hirsute figure, his white robes stained bloody as his stigmata gushed forth. And what in hell was that he was shouting?
“God damn you,” Hicks shouted, his temper frail at the best of times. He pulled out his gun and shot a couple of bullets into the air. “Shift your sinful asses, you worthless cocksuckers, or I’ll smite each and every one of you with the righteousness of a Colt .45!”
That had more success, and the crowd slowly dissipated while he clambered up onto the makeshift stage he preached from, wondering how to make the idiot shut up without shooting him.
“Wormwood! Wormwood! Wormwood!” the simpleton shouted.
“What the hell’s Wormwood?” Hicks wondered aloud. “Some kind of tequila?”
“It’s the name of a town,” said someone behind him. He turned to see two gentlemen, one with a long and bushy beard, the other blind. The blind man pulled off his dark glasses to reveal a smooth patch of skin where the eyes should be. “And I’d very much like to hear what else he has to say on the subject.”


5.

Sun-shattered and scorched, the dust fields whipped tails at the sky.
The landscape roasted. A world suited only to the dead and to the reptiles and flies that scurry impatiently through the ribcage cathedrals of carrion. They, in turn, are picked off in hit and run assaults by birds, dipping in and out of this wilderness like pearl divers before returning to the skies where the winds blow fresh and clear.
The air was as thick as cooling cooking grease.
It was a quiet world. The feather-light brushstrokes of a sidewinder’s body seemed loud across the dunes; the occasional screeches of a hawk pierced the silence like a railroad spike. The delicate crunch of a horse’s hooves was almost unknown, an intrusive and unwelcome sound. Yet here it was, startling the snakes and lizards into the shadows of their rocks.
The horse moved gracefully, a ballet dancer moving through the inferno.
Its rider was suited to this world. His flesh dry as parchment. Old, tight eyes looked out over the trail and refused to betray a single thought. The pale overcoat he wore fluttered around the horse, the hem ragged and torn. The leather of his boots creaked like coffin lids.
On he rode. On towards Wormwood.